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Origin of the term
Comics historian and movie producer Michael Uslan traces the origin of the “Silver Age” term to the letters column of Justice League of America #42 (Feb. 1966), which went on sale December 9, 1965. Letter-writer Scott Taylor of Westport, Connecticut wrote, “If you guys keep bringing back the heroes from the [1930s-1940s] Golden Age, people 20 years from now will be calling this decade the Silver Sixties!” According to Uslan, the natural hierarchy of gold-silver-bronze, as in Olympic medals, took hold. “Fans immediately glommed onto this, refining it more directly into a Silver Age version of the Golden Age. Very soon, it was in our vernacular, replacing such expressions as … ‘Second Heroic Age of Comics’ or ‘The Modern Age’ of comics. It wasn’t long before dealers were … specifying it was a Golden Age comic for sale or a Silver Age comic for sale”.
History
Background
Superman, as depicted in a 1941 Fleischer Studios cartoon, was created during the Golden Age of Comic Books.
Spanning World War II, when comics provided cheap and disposable escapist entertainment that could be read and then discarded by the troops, the Golden Age of comic books covered the late 1930s to the late 1940s. A number of major superheroes were created during this period, including Superman, Batman, Wonder Woman, and Captain America. The brief so-called Atomic Age followed, between 1945 and 1956, but in subsequent years comics were blamed for a rise in juvenile crime statistics, although this rise was shown to be in direct proportion to population growth. When juvenile offenders admitted to reading comics, it was seized on as Classic Series 69 Thinline Tele Hollow Body Electric Guitar a common denominator; one notable critic was Fredric Wertham, author of the book Seduction of the Innocent (1954), who attempted to shift the blame for juvenile delinquency from the parents of the children to the comic books they read. The result was a decline in the comics industry. To address public concerns, in 1954 the Comics Code Authority was created to regulate and curb violence in comics, marking the start of a new era.
DC Comics
The Silver Age began with the publication of DC Comics’s Showcase #4 (Oct. 1956), which introduced the modern version of the Flash. At the time, only three superheroesuperman, Batman, and Wonder Womanere still published under their own titles. According to DC comics writer Will Jacobs, Superman was available in “great quantity, but little quality.” Batman was doing better, but his comics were “lackluster” in comparison to his earlier “atmospheric adventures” of the 1940s, and Wonder Woman, having lost her original writer and artist, was no longer “idiosyncratic” or “interesting.” Jacobs describes the arrival of Showcase #4 on the newsstands as “begging to be bought”; the cover featured an undulating film strip depicting the Flash running so fast that he had escaped from the frame. Editor Julius Schwartz, writer Gardner Fox and artist Carmine Infantino were behind the Flash’s revitalization.
Julius Schwartz, an instrumental figure at DC during the Silver Age.
With the success of Showcase #4, several other 1940s superheroes were reworked during Schwartz’s tenure, including Green Lantern, the Atom, and Hawkman, as well as the Justice League of America. The DC artists responsible included Murphy Anderson, Gil Kane and Joe Kubert. Only the characters’ names remained the same; their costumes, locales, and identities were altered, and imaginative scientific explanations for their superpowers generally took the place of magic as a modus operandi in their stories. Schwartz, a lifelong science fiction fan, was the inspiration for the re-imagined Green Lanternhe Golden Age character, railroad engineer Alan Scott, possessed a ring powered by a magical lantern, but his Silver Age replacement, test pilot Hal Jordan, had a ring powered by an alien battery and created by an intergalactic police force.
In the mid-1960s, DC established that characters appearing in comics published prior to the Silver Age lived on a parallel Earth the company dubbed Earth-Two. Characters introduced in the Silver Age and onward lived on Earth-One. It was established that the two realities were separated by a vibrational field that could be crossed, should a storyline involve superheroes from different worlds teaming up.
Although the Flash is generally regarded as the first superhero of the Silver Age, the introduction of the Martian Manhunter in Detective Comics #225 predates Showcase #4 by almost a year, and some historians consider this character the first Silver Age superhero. However, comics historian Craig Shutt, author of the Comics Buyer’s Guide column “Ask Mister Silver Age”, disagrees. Shutt notes that when the Martian Manhunter debuted, he was a detective who used his alien abilities to solve crimes. Although he did ultimately become a charter member of the Justice League of America, originally he was just a “quirky detective”, like other contemporaneous DC
Comics historian and movie producer Michael Uslan traces the origin of the “Silver Age” term to the letters column of Justice League of America #42 (Feb. 1966), which went on sale December 9, 1965. Letter-writer Scott Taylor of Westport, Connecticut wrote, “If you guys keep bringing back the heroes from the [1930s-1940s] Golden Age, people 20 years from now will be calling this decade the Silver Sixties!” According to Uslan, the natural hierarchy of gold-silver-bronze, as in Olympic medals, took hold. “Fans immediately glommed onto this, refining it more directly into a Silver Age version of the Golden Age. Very soon, it was in our vernacular, replacing such expressions as … ‘Second Heroic Age of Comics’ or ‘The Modern Age’ of comics. It wasn’t long before dealers were … specifying it was a Golden Age comic for sale or a Silver Age comic for sale”.
History
Background
Superman, as depicted in a 1941 Fleischer Studios cartoon, was created during the Golden Age of Comic Books.
Spanning World War II, when comics provided cheap and disposable escapist entertainment that could be read and then discarded by the troops, the Golden Age of comic books covered the late 1930s to the late 1940s. A number of major superheroes were created during this period, including Superman, Batman, Wonder Woman, and Captain America. The brief so-called Atomic Age followed, between 1945 and 1956, but in subsequent years comics were blamed for a rise in juvenile crime statistics, although this rise was shown to be in direct proportion to population growth. When juvenile offenders admitted to reading comics, it was seized on as Classic Series 69 Thinline Tele Hollow Body Electric Guitar a common denominator; one notable critic was Fredric Wertham, author of the book Seduction of the Innocent (1954), who attempted to shift the blame for juvenile delinquency from the parents of the children to the comic books they read. The result was a decline in the comics industry. To address public concerns, in 1954 the Comics Code Authority was created to regulate and curb violence in comics, marking the start of a new era.
DC Comics
The Silver Age began with the publication of DC Comics’s Showcase #4 (Oct. 1956), which introduced the modern version of the Flash. At the time, only three superheroesuperman, Batman, and Wonder Womanere still published under their own titles. According to DC comics writer Will Jacobs, Superman was available in “great quantity, but little quality.” Batman was doing better, but his comics were “lackluster” in comparison to his earlier “atmospheric adventures” of the 1940s, and Wonder Woman, having lost her original writer and artist, was no longer “idiosyncratic” or “interesting.” Jacobs describes the arrival of Showcase #4 on the newsstands as “begging to be bought”; the cover featured an undulating film strip depicting the Flash running so fast that he had escaped from the frame. Editor Julius Schwartz, writer Gardner Fox and artist Carmine Infantino were behind the Flash’s revitalization.
Julius Schwartz, an instrumental figure at DC during the Silver Age.
With the success of Showcase #4, several other 1940s superheroes were reworked during Schwartz’s tenure, including Green Lantern, the Atom, and Hawkman, as well as the Justice League of America. The DC artists responsible included Murphy Anderson, Gil Kane and Joe Kubert. Only the characters’ names remained the same; their costumes, locales, and identities were altered, and imaginative scientific explanations for their superpowers generally took the place of magic as a modus operandi in their stories. Schwartz, a lifelong science fiction fan, was the inspiration for the re-imagined Green Lanternhe Golden Age character, railroad engineer Alan Scott, possessed a ring powered by a magical lantern, but his Silver Age replacement, test pilot Hal Jordan, had a ring powered by an alien battery and created by an intergalactic police force.
In the mid-1960s, DC established that characters appearing in comics published prior to the Silver Age lived on a parallel Earth the company dubbed Earth-Two. Characters introduced in the Silver Age and onward lived on Earth-One. It was established that the two realities were separated by a vibrational field that could be crossed, should a storyline involve superheroes from different worlds teaming up.
Although the Flash is generally regarded as the first superhero of the Silver Age, the introduction of the Martian Manhunter in Detective Comics #225 predates Showcase #4 by almost a year, and some historians consider this character the first Silver Age superhero. However, comics historian Craig Shutt, author of the Comics Buyer’s Guide column “Ask Mister Silver Age”, disagrees. Shutt notes that when the Martian Manhunter debuted, he was a detective who used his alien abilities to solve crimes. Although he did ultimately become a charter member of the Justice League of America, originally he was just a “quirky detective”, like other contemporaneous DC
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Which guitar should I get?
I want a new guitar, and I’m trying to decide between these three. I prefer guitar players, but anyone else who ISN’T going to base it on looks is welcome. 1. A fender(sunburst):http://www.guitarcenter.com/Fender-Classic-Player-Jazzmaster-Special-Electric-Guitar-104907183-i1397677.gc2. Classic Series 69 Thinline Tele Hollow Body Electric Guitar Another Fender(Black):http://www.guitarcenter.com/Fender-Classic-Series–69-Telecaster-Thinline-Electric-Guitar-510123-i1146282.gc2. A cheap(er) Gibson(Fireburst Gold Hardware):http://www.guitarcenter.com/Gibson-Les-Paul-Studio-Electric-Guitar-101392843-i1149141.gc3. A very cheap Gretsch(sunburst): http://www.guitarcenter.com/Gretsch-Guitars-G5120-Electromatic-Hollowbody-Electric-Guitar-103867990-i1166376.gc4. The new Hagstrom: http://www.guitarcenter.com/Hagstrom-Jazz-Model-HJ-600-Semi-Hollow-Electric-Guitar-513357-i1168173.gc
I want a new guitar, and I’m trying to decide between these three. I prefer guitar players, but anyone else who ISN’T going to base it on looks is welcome. 1. A fender(sunburst):http://www.guitarcenter.com/Fender-Classic-Player-Jazzmaster-Special-Electric-Guitar-104907183-i1397677.gc2. Classic Series 69 Thinline Tele Hollow Body Electric Guitar Another Fender(Black):http://www.guitarcenter.com/Fender-Classic-Series–69-Telecaster-Thinline-Electric-Guitar-510123-i1146282.gc2. A cheap(er) Gibson(Fireburst Gold Hardware):http://www.guitarcenter.com/Gibson-Les-Paul-Studio-Electric-Guitar-101392843-i1149141.gc3. A very cheap Gretsch(sunburst): http://www.guitarcenter.com/Gretsch-Guitars-G5120-Electromatic-Hollowbody-Electric-Guitar-103867990-i1166376.gc4. The new Hagstrom: http://www.guitarcenter.com/Hagstrom-Jazz-Model-HJ-600-Semi-Hollow-Electric-Guitar-513357-i1168173.gc
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