An excellent resource for guitar players or anyone who wants to know the value of their instrument. I was very pleased.
Track listing
All songs written and composed by Mike Oldfield, except “The Sailor’s Hornpipe” (traditional, arranged by Mike Oldfield) Side one
“Tubular Bells, Part 1″ 25:36 Side two
“Tubular Bells, Part 2″ 23:20 Personnel Mike Oldfield
Acoustic guitar, bass guitar, electric guitar, Farfisa, Hammond, and Lowrey organs; flageolet, fuzz guitars, glockenspiel, “honky tonk” piano (piano with detuned strings), mandolin, piano, “Piltdown Man”, percussion, Spanish guitar, “double speed guitar”, producer, “taped motor drive amplifier organ chord”, timpani, violin, vocals and tubular bells. Additional personnel
Steve Broughton percussion
Lindsay L. Cooper string basses
Mundy Ellis vocals
Jon Field flutes
Sally Oldfield vocals
Vivian Stanshall Master of Ceremonies
Nasal Choir
Manor Choir (Simon Heyworth, Tom Newman, Mike Oldfield)
Simon Heyworth – producer
Tom Newman – producer
Trevor Key – artwork Album artwork
Tubular Bells picture disc.
The cover design was by Trevor Key, who would go on to create the covers of many Oldfield albums, and was inspired by Magritte’s “Castle in the Pyrenees”.[citation needed]
The concept for the triangular bell on the album cover art originally came from the idea of a bell which had been destroyed. Oldfield had come up with this when he had dented the set of Tubular bells used to record the album when playing them.
The “bent bell” image on the cover is also associated with Oldfield, even being used for the logo of his personal music company, Oldfield Music, Ltd. The image was also the main focus for the cover art of the successive Tubular Bells albums. Tubular Bells has also been issued as a vinyl picture 2009 Fender Telecaster Standard -Arctic White disc, showing the bent bell on a skyscape.
The album cover for Tubular Bells was among the ten chosen by the Royal Mail for a set of “Classic Album Cover” postage stamps issued on 7 January 2010. Significance Virgin
Oldfield approached (and was rejected by) many other established record labels. Some of the rejections were because they believed the piece to be unmarketable. Oldfield then played his demos to some of the Engineers at The Manor; they along with their boss, Richard Branson decided to give Oldfield a chance. Virgin Records released Oldfield’s debut album Tubular Bells as its first album; hence the catalogue number V2001 (although V2002 and V2003 were released on the same date).
The significance of this album to the Virgin empire is not lost on Richard Branson, who named one of his first Virgin America aircraft, an Airbus A319-112, N527VA Tubular Belle,. Prior to this Virgin Atlantic had named a Boeing 747-4Q8 , G-VHOT Tubular Belle, in 1994.
Virgin reissued the album a number of times including in 2000 for a HDCD release, and in 2001 for a SACD release. The HDCD release contained liner notes by David Laing, and the SACD release notes were by Phil Newell and Simon Heyworth.
The 50th Anniversary edition of the music magazine Music Week features the album in the official Top-Selling UK albums 19592009 at No. 35, noting it as the only entry that did not yield a hit single. In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #9 in its list of “40 Cosmic Rock Albums”. The Mail on Sunday free edition
On 22 April 2007 a British newspaper, The Mail on Sunday, gave away 2.25 million free copies of the full original Tubular Bells to its readers; this came in a card packet displaying the original artwork.
EMI (owners of the Virgin Records label) earned between 200,000 and 500,000 from the promotion. The Mail on Sunday claimed that their promotion increased sales of the album by 30%; however industry sources noted that this was not a significant rise for the title at the time. This cover-mount deal came prior to the album’s transfer from Virgin/EMI back to Oldfield.
Oldfield attacked EMI in the press for agreeing this deal with The Mail on Sunday, not having been consulted about it. He also stated that he felt that it devalued the work. In a poll conducted by Music Week, to whom Oldfield wrote a letter about the situation, 89.9% of people supported Oldfield’s view that EMI and The Mail on Sunday should have at least asked him about the cover-mount promotion. Mercury reissue
In 2008 when Oldfield’s original 35 year deal with Virgin Records ended, the rights to the piece were returned to him, and were transferred to Mercury Records On 15 April 2009, Mercury announced the transfer of Oldfield’s Virgin albums to the label, and the first album, Tubular Bells, was re-released in June 2009. Tubular Bells was released on various formats, which include an original vinyl, a new remix, a 2CD edition and DVD. There were also bell ringing events on 6 June 2009 at 6pm (a reference to 666, the Number of the Beast). Overdubbing
Mike Oldfield played most of the instruments on the album (see below), recording them one at a time and layering the recordings to create the finished work. Many of his subsequent albums feature this technique.
All songs written and composed by Mike Oldfield, except “The Sailor’s Hornpipe” (traditional, arranged by Mike Oldfield) Side one
“Tubular Bells, Part 1″ 25:36 Side two
“Tubular Bells, Part 2″ 23:20 Personnel Mike Oldfield
Acoustic guitar, bass guitar, electric guitar, Farfisa, Hammond, and Lowrey organs; flageolet, fuzz guitars, glockenspiel, “honky tonk” piano (piano with detuned strings), mandolin, piano, “Piltdown Man”, percussion, Spanish guitar, “double speed guitar”, producer, “taped motor drive amplifier organ chord”, timpani, violin, vocals and tubular bells. Additional personnel
Steve Broughton percussion
Lindsay L. Cooper string basses
Mundy Ellis vocals
Jon Field flutes
Sally Oldfield vocals
Vivian Stanshall Master of Ceremonies
Nasal Choir
Manor Choir (Simon Heyworth, Tom Newman, Mike Oldfield)
Simon Heyworth – producer
Tom Newman – producer
Trevor Key – artwork Album artwork
Tubular Bells picture disc.
The cover design was by Trevor Key, who would go on to create the covers of many Oldfield albums, and was inspired by Magritte’s “Castle in the Pyrenees”.[citation needed]
The concept for the triangular bell on the album cover art originally came from the idea of a bell which had been destroyed. Oldfield had come up with this when he had dented the set of Tubular bells used to record the album when playing them.
The “bent bell” image on the cover is also associated with Oldfield, even being used for the logo of his personal music company, Oldfield Music, Ltd. The image was also the main focus for the cover art of the successive Tubular Bells albums. Tubular Bells has also been issued as a vinyl picture 2009 Fender Telecaster Standard -Arctic White disc, showing the bent bell on a skyscape.
The album cover for Tubular Bells was among the ten chosen by the Royal Mail for a set of “Classic Album Cover” postage stamps issued on 7 January 2010. Significance Virgin
Oldfield approached (and was rejected by) many other established record labels. Some of the rejections were because they believed the piece to be unmarketable. Oldfield then played his demos to some of the Engineers at The Manor; they along with their boss, Richard Branson decided to give Oldfield a chance. Virgin Records released Oldfield’s debut album Tubular Bells as its first album; hence the catalogue number V2001 (although V2002 and V2003 were released on the same date).
The significance of this album to the Virgin empire is not lost on Richard Branson, who named one of his first Virgin America aircraft, an Airbus A319-112, N527VA Tubular Belle,. Prior to this Virgin Atlantic had named a Boeing 747-4Q8 , G-VHOT Tubular Belle, in 1994.
Virgin reissued the album a number of times including in 2000 for a HDCD release, and in 2001 for a SACD release. The HDCD release contained liner notes by David Laing, and the SACD release notes were by Phil Newell and Simon Heyworth.
The 50th Anniversary edition of the music magazine Music Week features the album in the official Top-Selling UK albums 19592009 at No. 35, noting it as the only entry that did not yield a hit single. In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #9 in its list of “40 Cosmic Rock Albums”. The Mail on Sunday free edition
On 22 April 2007 a British newspaper, The Mail on Sunday, gave away 2.25 million free copies of the full original Tubular Bells to its readers; this came in a card packet displaying the original artwork.
EMI (owners of the Virgin Records label) earned between 200,000 and 500,000 from the promotion. The Mail on Sunday claimed that their promotion increased sales of the album by 30%; however industry sources noted that this was not a significant rise for the title at the time. This cover-mount deal came prior to the album’s transfer from Virgin/EMI back to Oldfield.
Oldfield attacked EMI in the press for agreeing this deal with The Mail on Sunday, not having been consulted about it. He also stated that he felt that it devalued the work. In a poll conducted by Music Week, to whom Oldfield wrote a letter about the situation, 89.9% of people supported Oldfield’s view that EMI and The Mail on Sunday should have at least asked him about the cover-mount promotion. Mercury reissue
In 2008 when Oldfield’s original 35 year deal with Virgin Records ended, the rights to the piece were returned to him, and were transferred to Mercury Records On 15 April 2009, Mercury announced the transfer of Oldfield’s Virgin albums to the label, and the first album, Tubular Bells, was re-released in June 2009. Tubular Bells was released on various formats, which include an original vinyl, a new remix, a 2CD edition and DVD. There were also bell ringing events on 6 June 2009 at 6pm (a reference to 666, the Number of the Beast). Overdubbing
Mike Oldfield played most of the instruments on the album (see below), recording them one at a time and layering the recordings to create the finished work. Many of his subsequent albums feature this technique.
What should I name my guitar?
I’m trying to come up with a name for 2009 Fender Telecaster Standard -Arctic White it. It’s a DG-8S Fender. Here’s a pic of what it looks like http://goldmineunlimited88.files.wordpress.com/2009/10/img_1514.jpg
I’m trying to come up with a name for 2009 Fender Telecaster Standard -Arctic White it. It’s a DG-8S Fender. Here’s a pic of what it looks like http://goldmineunlimited88.files.wordpress.com/2009/10/img_1514.jpg
 |
Web Traffic Machines
SEO and Traffic generation software that will send swarms of web traffic to your site from many different sources. Easy to use, no experience required. Underground marketers use these traffic tools to get thousands of free visitors daily!
Avg
|
|
|
Dominating CB – Insane seller, smokin hot conversion inc recurring
Promote the sequel to the product that broke records 2 years bakc. Meaner, fatter with recurring commissions
Avg
|
|
|
Affiliate Launcher – Amazing Software … Promote it Now!
Big Rebilling Commissions on Front End! OTOs converting at 60%! Must Have Software for Affiliate marketers! Promote Affiliate Launcher Now and Reap Massive Rebilling Commissions. Converting at 1 in 10 Hops! http://affiliatelauncher.com/affiliates.html
Avg
|
10 Responses to “2009 Fender Telecaster Standard -Arctic White Free Significant Guide”
The Leading Online Guide To Fender Classic Player ’50s Stratocaster Electric Guitar GoldMy two cents worth: This Fender Classic Player '50s Stratocaster Electric Guitar Gold was exactly what I was looking for. It... »
Unbiased Review for Russ Wernimont Designs Pro Street 9 in. Wide Werimont Rear Fender for Swing…Very clear explanationes of how to drum and tune. Very good exercises to make fills and clarifying demonstrations about how to... »
#1 Russ Wernimont Designs Racer 11 in. Wide Wernimont Rear Fender for Swingarm… SiteI'm bringing down the rating average because the music in this book has no proper music notation. There are a few little... »
Great Original 1967 Fender Telecaster MapleCap Tele ReportsIf you are looking for information about Original 1967 Fender Telecaster MapleCap Tele, you will find the below related... »
Do not buy Fender Mexican Stratocaster Electric Guitar 2001-2002 until you read what I have to sayWe should be very thankful that we are born in this modern generation because of the existence of the Internet. With the... »
Was disappointing to order this, only to find absolutely no listings whatsoever for Hawaii or Alaska. Not sure why clubs in these states would be excluded, although it’s tough to drive a bus to either state. Still, why exclude the radio stations in those states. Mail and telephone work just fine to get in touch with public and college radio in these two states. Excluding radio there seems lazy.
Oh well. There are many club listings for the continental 48. Each lists fundamental contact information, as well as genre, advance, capacity and sound information. There’s usually a sentence or two of description about the kinds of acts wanted. Sometimes, there’s a few words about merch splits. There are also listings for lawyers, press, associations, and so on.
A useful reference book.
The price guide is very helpful in determineing the net worth of older indtruments. I am very happy with this book.
I love the book but as I was looking through it the pages were coming out of the binding. It just won’t last long in it’s condition.
I don’t see how just turning the page can make it come out.
This makes me hesitant to order a book on line.
Awesome book. It is the KELLY BLUE BOOK of guitars. If you collect or just want to research the guitars you have or want to have this is a great go to source of information. Recommend this product to all.
The guitar market is in the midst of much change, making the 2009 edition of The Official Vintage Guitar Price Guide especially key to values in a changing market. It’s the only title to list values based on comprehensive market research and analysis, and offers over 1,000 black and white photos and details on over 1,500 brands. Any library strong in either music collectibles or guitar history and values needs this.
First off, you get A LOT for the price. 1 Ride 2 Crash a new Hi-Hat and a cool box!!!!!!! I love them and highly recommend them to the beginner, and the experienced.
A very nice cymbal pack for a beginning drummer. It includes everything that would let you learn how to utilize your cymbal pack without being overextravigant. the 16″ crash has a semi-dark tone, and is normally used only for it’s inetended purpose. The 18″ crash included as th bonus cymbal is very useful as a second crash, but doubles as a crash/ride, which is played like a crash, but sounds like a brighter ride. The high hats are very nice. Make sure your stand is “heavy-duty” ennough to support these though, because they are very heavy. The ride has a nice tone on the edge, and a much darker “pinging” sound on the bell, and can be used for many styles of music. Overall, a very versitile cymbal pack, but more useful in the Heavy Jazz-Light Metal range.
The Magic Sing worked as advertised but the music was very basic. Sounding like a simple MIDI file. We were not impressed.
This is a great product!!! My family has hours of fun with it.
I totally recommend it for entertainment purposes
This karaoke machine has everything you could possibly want! Two microphones, lots of songs, easy set up. Don’t really understand the scoring, but you can ignore that. Very portable. Everything fits into a small carrying case that’s included! Great value!