I would recommend this to any Cat Stevens fan-cords for guitar are easy, almost, if not every song you could want to play is in this book. Good condition. Quick shipping.
Ever thought that a guitar might be a more lucrative investment than the stock market? Vintage guitars are becoming a hot item in the collectibles market, and there are few icons more recognizable to Americans than a rock star and his guitar. While a few months’ savings might have bought a guitar in the 1960s, some of those instruments are selling for big bucks today. Recently, George Harrison’s guitar sold for a little under six hundred thousand dollars, for instance. Eric Clapton’s favorite Stratocaster from the 1970s, Blackie, sold for nearly a million.
While celebrity collectibles have been a good investment for years, guitars themselves have largely been overlooked. However, the guitar was perfected between the 1930s and the 1960s, depending on the model, and instruments from this period are highly regarded. Some people think that in fifty to a hundred years, guitars from the mid 20th century will be thought of in the same way as violins and cellos from the 17th and 18th century.
The appeal of any guitar grows over time, and there hasn’t yet been a period when the market sank. That makes a vintage guitar a great investment choice, as well as a visually and emotionally rewarding collectible. There’s nothing like being able to say that you own the guitar once played by a legend.
Values only continue to go up, too. While a 1959 Fender Sunburst Stratocaster, one of the most famous types of guitar, originally cost about $250, it brought between eight and nine thousand dollars in 1997. Today, you might have to pay seventeen thousand for a model with a slab fingerboard.
Recent stock market unpredictability has meant that people 1970 Fender Telecaster are more interested in guitar collecting. These vintage instruments are a great type of protected investment. For collectors who want to cover all the bases, consider a varied collection – acoustic, electric, exotic, antique, vintage, contemporary and even custom guitars.
Over the past couple of years the vintage guitar market has taken a hit here and there but overall has proven to be a sound investment for most. The experts say that when inflation accelerates and the dollar shrinks collectibles prove to be a good place for your money.
There is a very limited supply and there still seems to be a high demand for these pieces of history which has proven to be a good choice for those who have invested in these instruments, such as the Gibson Les Pauls’ and Fender Telecasters and Stratocaster’s from the same era. (50′s, 60, and 70′s).
A good place to start collecting vintage guitars as an investment would be to focus your research on obtaining guitars from the list below. This list includes that have been inducted into Vintage Guitar Magazine’s Hall of Fame. There are, of course, other lists and other guitars worth investing in, but this is certainly a great place to begin.
Over the past couple of years the vintage guitar market has taken a hit here and there but overall has proven to be a sound investment for most. The experts say that when inflation accelerates and the dollar shrinks collectibles prove to be a good place for your money.
You might be asking yourself whether a guitar can really be a good investment. After all, to the untrained eye, most guitars are the same. However, the right guitar can be worth a lot to a collector. Guitars that have been owned by celebrities, or which are rare or unusual, can command very high prices indeed. If you’re worried about getting a return on your money, don’t be. Vintage guitars have consistently performed with more stability than the stock market. There are a number of reasons that collecting vintage guitars is an excellent strategy.
For one, they’re more tangible than a stock or bond. They give you an attractive piece to display, and are fun to collect, too. Guitars also don’t lose value over time. In fact, it’s just the opposite – vintage guitars consistently gain value as they get older, as long as you take the time to keep them in good condition. They’re also usually superior instruments. If you’re a musician as well as an investor, you’ll appreciate the superior action and tone of a real vintage instrument. The most popular vintage guitar with collectors is probably the Gibson Les Paul.
Here is a small example: Let’s say in 1959 you had $100.00 if you were to bury the $100.00 in a coffee can in your back yard or put it in your bank account and let it sit there drawing a couple percent interest inflation would slowly take this $100.00 and if you were to pull it out 50 years later you would find that $100.00 would barely get you a nice dinner for two. However if you would have taken that same $100.00 and gone to your local pawn shop in 1959 and picked up a 1959 Gibson Les Paul guitar and placed it in the closet instead then you could pull it out of your closet today and it could be worth well over six figures. People are starting to realize how much these instruments from the 50′s 60′s, and 70′s really meant to our
While celebrity collectibles have been a good investment for years, guitars themselves have largely been overlooked. However, the guitar was perfected between the 1930s and the 1960s, depending on the model, and instruments from this period are highly regarded. Some people think that in fifty to a hundred years, guitars from the mid 20th century will be thought of in the same way as violins and cellos from the 17th and 18th century.
The appeal of any guitar grows over time, and there hasn’t yet been a period when the market sank. That makes a vintage guitar a great investment choice, as well as a visually and emotionally rewarding collectible. There’s nothing like being able to say that you own the guitar once played by a legend.
Values only continue to go up, too. While a 1959 Fender Sunburst Stratocaster, one of the most famous types of guitar, originally cost about $250, it brought between eight and nine thousand dollars in 1997. Today, you might have to pay seventeen thousand for a model with a slab fingerboard.
Recent stock market unpredictability has meant that people 1970 Fender Telecaster are more interested in guitar collecting. These vintage instruments are a great type of protected investment. For collectors who want to cover all the bases, consider a varied collection – acoustic, electric, exotic, antique, vintage, contemporary and even custom guitars.
Over the past couple of years the vintage guitar market has taken a hit here and there but overall has proven to be a sound investment for most. The experts say that when inflation accelerates and the dollar shrinks collectibles prove to be a good place for your money.
There is a very limited supply and there still seems to be a high demand for these pieces of history which has proven to be a good choice for those who have invested in these instruments, such as the Gibson Les Pauls’ and Fender Telecasters and Stratocaster’s from the same era. (50′s, 60, and 70′s).
A good place to start collecting vintage guitars as an investment would be to focus your research on obtaining guitars from the list below. This list includes that have been inducted into Vintage Guitar Magazine’s Hall of Fame. There are, of course, other lists and other guitars worth investing in, but this is certainly a great place to begin.
Over the past couple of years the vintage guitar market has taken a hit here and there but overall has proven to be a sound investment for most. The experts say that when inflation accelerates and the dollar shrinks collectibles prove to be a good place for your money.
You might be asking yourself whether a guitar can really be a good investment. After all, to the untrained eye, most guitars are the same. However, the right guitar can be worth a lot to a collector. Guitars that have been owned by celebrities, or which are rare or unusual, can command very high prices indeed. If you’re worried about getting a return on your money, don’t be. Vintage guitars have consistently performed with more stability than the stock market. There are a number of reasons that collecting vintage guitars is an excellent strategy.
For one, they’re more tangible than a stock or bond. They give you an attractive piece to display, and are fun to collect, too. Guitars also don’t lose value over time. In fact, it’s just the opposite – vintage guitars consistently gain value as they get older, as long as you take the time to keep them in good condition. They’re also usually superior instruments. If you’re a musician as well as an investor, you’ll appreciate the superior action and tone of a real vintage instrument. The most popular vintage guitar with collectors is probably the Gibson Les Paul.
Here is a small example: Let’s say in 1959 you had $100.00 if you were to bury the $100.00 in a coffee can in your back yard or put it in your bank account and let it sit there drawing a couple percent interest inflation would slowly take this $100.00 and if you were to pull it out 50 years later you would find that $100.00 would barely get you a nice dinner for two. However if you would have taken that same $100.00 and gone to your local pawn shop in 1959 and picked up a 1959 Gibson Les Paul guitar and placed it in the closet instead then you could pull it out of your closet today and it could be worth well over six figures. People are starting to realize how much these instruments from the 50′s 60′s, and 70′s really meant to our
Can we keep on going about Texas bluesmen?
Everybody mentioned some great names. I forgot to include Johnny Winter, which is unforgiveable since he was the first concert I was allowed to see without parental oversight at age 15. It was in May of 1970 in the old Warehouse in New Orleans, a legendary concert spot in the 70s.Johnny had his original band of Tommy 1970 Fender Telecaster Shannon on bass and Uncle John Turner on drums. He played two sets, and during each, Edgar would come out and join on keyboards and alto sax. That was the first time I saw Edgar perform his version of “Tobacco Road”. He and Johnny also teamed up on Ray Charles’”Tell The Truth”. What a night.He played a Les Paul for his main guitar, then used an electric Fender 12 string for the slide work (the short lived solid body). Blew my mind wide open.Edgar Winter was born in Beaumont.Johnny Winter was born in Leland, Mississippi, in the Delta. I used to date a schoolteacher from there and scored points when we met by knowing that. He has a song “Leland Mississippi Blues” where he sings “Y’all know that’s where I come from”.
Everybody mentioned some great names. I forgot to include Johnny Winter, which is unforgiveable since he was the first concert I was allowed to see without parental oversight at age 15. It was in May of 1970 in the old Warehouse in New Orleans, a legendary concert spot in the 70s.Johnny had his original band of Tommy 1970 Fender Telecaster Shannon on bass and Uncle John Turner on drums. He played two sets, and during each, Edgar would come out and join on keyboards and alto sax. That was the first time I saw Edgar perform his version of “Tobacco Road”. He and Johnny also teamed up on Ray Charles’”Tell The Truth”. What a night.He played a Les Paul for his main guitar, then used an electric Fender 12 string for the slide work (the short lived solid body). Blew my mind wide open.Edgar Winter was born in Beaumont.Johnny Winter was born in Leland, Mississippi, in the Delta. I used to date a schoolteacher from there and scored points when we met by knowing that. He has a song “Leland Mississippi Blues” where he sings “Y’all know that’s where I come from”.
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8 Responses to “Articles On 1970 Fender Telecaster And Such”
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This seems to be a good book, but unfortunately there’s no guitar tablature. Very often there are two guitars on Cat Stevens’ songs and it would have been nice to see both tablatures. Here, you only get the chords. The chords for the introductions are not there either. I know the intro to Father and son is G and C, so why not write it? Not a book for guitarists unless you are a musician that can read partitions.
Great way to start for beginning strummers. The songs are fairly easy to figure out!
This book will fit the bill for most musicians who want to play the music of Cat Stevens. A few of the introductions are somewhat inaccurate and it would be nice if the second and third verses to If I Laugh and Tuesdays Dead could be on the same page as the music. The intro to Moonshadow is missing as well. None the less most musicians will find this book very helpful.
when i purchased this product i was unaware that it would be missing several pages which were two of the songs that i wanted it for.
I had mistakenly ordered this book, thinking I was buying the guitar tab book. The image/title for this page was updated after I had ordered. I decided to pull out the bass and give the book a try.
It’s great stuff.
It is accurate, but more importantly, the material is interesting enough to keep you busy and thinking about the cleverness of most of McCartney’s basslines.
A far cry from the earlier Beatles bass parts, which are all very rhythmically straightforward, these parts experiment a little.
The bass part for With A Little Help From My Friends has a lot of nice notes swung at the end of measures. Strawberry Fields is a bit more normal than expected. Ob-La-Di, Ob-La-Da will challenge your endurance.
These were a pleasant learning experience for someone who has been playing primarily guitar for about 10 years.
I have transcribed many of the songs in this book before this book was available. I’m sorry to say there are quite a few problems with the transcription accuracy in this book on the songs I have looked at – wrong key changes, wrong time changes, and wrong notes. A Day in the Life is just one example. If you are a beginner, the inaccuracies will not bother you, but for advanced players it is frustrating to get a book labeled “Recorded Versions”. I have bought many Hal Leonard books in the past and have not had the issues as with this one. If you are going to transcribe masterpieces – Do it right! I would recommend the yellow Beatles bass book as alternative to this one.
Simply a great tool for nailing Beatle tunes on the bass. Book includes both standard notation and tab, as well as chord symbols for your six-stringer friends.
Great book – you will not be disappointed!
This is one more of the fine books of bass transcriptions available from Hal Leonard (we own most of them). While this material is too difficult for the beginner, it is GREAT for the more experienced bassist. AND if you’re a marginal reader in the upper positions (like me), using these TAB annotated arrangements can help you develop proficiency reading all over the fretboard—which is not a bad thing at all. NOTE the TAB is written for traditional 4-string basses only.