
Mediocre presentation at best. A DVD titled A History of the Electric Guitar should contain some timeline of history.
Country guitar lessons in these days of the world wide web are now popular all over the world. If you are wondering what the fuss is about I will just mention some aspects of country guitar playing that excite the interest of music fans and guitar enthusiasts alike. This article will focus on a couple of the more individualistic guitar styles in country music and also talk a little about the Telecaster – the country musician’s guitar.
First let us look at a guitar style that has entered the country genre through blues and rock. The slide guitar, also known as the bottleneck guitar is a lyrical way of expressing feelings through guitar music. It was developed in the early twentieth century by the early blues players, and popularized by young white rock and blues players in the nineteen sixties. Now there are many country guitar players who see the musical possibilities in this style of playing. The key to this technique is sliding an object along the guitar strings to make a whining or wailing sound. This presents the guitar player with many opportunities to play notes that fall between the frets of the guitar as well as imitating the sound of a singing voice.
The term “bottleneck” refers to the practice of many slide guitar performers of producing the James Burton Standard Telecaster Electric Guitar (Candy Apple Red) sliding sound by fitting the neck of a bottle to their first or second finger. Popular wisdom has it that other players used the blade of a knife. Modern slide guitar players usually go to a music shop and buy a slide. You can play slide guitar with the guitar held in the normal playing position or with the guitar in your lap. A player can use an ordinary steel string acoustic guitar tuned in the standard way or to an open chord, or a resonator guitar which has a distinctive metallic sound well suited to slide playing.
Another guitar style used by country guitar players is chicken pickin’, developed to high art by Walon Jennings. It is used in lead guitar solos and involves the guitar player pulling on the string with his right hand fingers and at the same time damping the string with his left hand. Most country guitar players use a plectrum or thumbpick to play bass notes in conjunction with chicken pickin’ on the treble strings.
Chet Atkins is a country guitar player who was adept at the chicken pickin’ technique but he was most well known for his adaptation of the Travis picking technique. Merle Travis developed an impressive solo playing technique using his thumb to pick bass notes and his index finger to play melody or filler notes. Chet Atkins was so impressed with Travis’ solos that he assumed that Travis was using his second and ring fingers in addition to his index finger. This mistaken assumption led to a whole new generation of country guitar players inspired by the Chet Atkins style.
If you want to take country guitar lessons you should learn about the typical sound that is associated with country guitar music. While rock and roll has as many sounds as there are guitar players, country guitar has its own sound. This is due to most country players opting to stay with the clean, unadorned sound of the Fender Telecaster. The “Tele” had a sound that made aspiring guitar players sit up and take notice combined with a design that made it a dream to play. It is a solid body electric guitar with two pickups, and was the first electric guitar to be successfully produced and sold on a large scale.
In the early days of the electric guitar both rock and country guitar players wanted to be heard by the audience without feedback interfering with the sound of the guitar. The Telecaster filled the bill when it came out in 1950 and has remained a popular choice for solo guitarist ever since. Country guitarists noted for being enthusiastic Telecaster players include Buck Owens, Waylon Jennings, James Burton and Merle Haggard.
He wants a Fantasy Band background, with all of his favorite musicians. He wants the standard 4-5 man “Rock Band”. He James Burton Standard Telecaster Electric Guitar (Candy Apple Red) has a few options for each, but what would you combine?Vocals










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Rock, popular, jazz and country music lovers in general — and musicians who play those genres in particular — will enjoy this in-depth look at the key instrument behind them all. Touching and revealing interviews with renowned guitarists are mixed with archival footage of guitar greats — some well known, some obscure but influential nonetheless — and with behind-the-scenes tours and histories of the Gibson, Fender and Rickenbacker manufacturing facilities. It’s thorough, well-paced and well-organized and warrants repeated viewings.
I was looking for a DVD to show young children the history of the electric guitar. While the information presented is interesting, there are too many interviews. It was difficult for me to sit and watch the entire DVD. I had to break it up into several sittings. I’m not sure how this could have been made more interesting. Perhaps less dialogue and interviewing would work.
This extremely well done – and entertaining – documentary takes the electric guitar back to it’s roots with pioneers like Charlie Christian, who brought the electric guitar into big jazz bands but is at its best when covering the “heyday” of the 1950s and 1960s whith the dawn of Rock and Roll. Les Paul is, obviously, prominently featured in interviews, but folks like James Burton, Steve Cropper, Scotty Moore and the rarely interviewed Duane Eddy are here, coordinated with some great archival film footage. There are interviews with guitar collectors and representatives of the various manufacturers (Fender, Rickenbacker) too. The chapters are chronological but also divided into the style of the guitar (Telegaster, Stratocaster, the Les Paul model).
I don’t play any instruments, let alone a guitar but, as a fan of most musical styles, I was riveted to the TV screen throughout the whole show. The bonus features include six sections. “The Studio” is a wonderful inside look in how working as a “studio musician” vs being on stage is different. Cropper, Burton and Glen Campbell are really insightful here. Wait’ll you hear Campbell’s story of playing on Sinatra’s “Strangers in the Night”!
The sections on “Collecting Vintage Guitars” and “For Guitar Players Only” with REALLY appear to those interested in the technical aspects of the instrument. “Meets The Beatles” tell the brief story of the Rickenbacker company making Paul McCartney’s guitar, while “The Lost Banjo” has the Beatles’ former chauffer, Alf Bicknell, telling a short story. The features end with an under-a-minute comment on guitars from Bo Diddley.
This DVD is well worth seeking out. And if you have, and play, an electric guitar you will not want to miss seeing it.
Steve Ramm
“Anything Phonographic”
We watched the entire 155 minute main feature in one sitting and when it was over we couldn’t believe it–I guess time flies when you’re having fun! Lots of well-paced and interesting historical information and interviews– our attention never wavered. Cool both for musicians as well as anyone who loves the best in guitar-oriented music from the 50′s, 60′s and 70′s.
Mike Doughton
The Tower Marquee
Sandy
I remember Burton playing for Ricky Nelson and always liked his style.
This DVD does a good job.
This is really more of a demonstration video than an instructional video. Like many great players, Mr. Burton is not a guitar teacher, so you have to be ready to capture what you can from what he shows on the video. This DVD was originally released as VHS. The hot licks people added sections that slow down the examples so you’ll have a chance to figure out what James is doing. I consider it a good resource that I will go back to over time, but not really a how-to guide. I recommend viewing this in a player or on a computer that will allow you to do your own slow-down and repeats.
This guy developed a style and technique that not only has been a foundation for generations of guitar slingers that followed but is still an inspiration today. The cat can just play! The next best thing to a few private lessons. Highly recommended.
mr. burton fails to give fret numbers or notes in his demo which will be confusing to the beginning player. Also he does not discuss in depth his muteing technique in detail and some fingering is hard to pick up. If you have a good ear this video will be helpful as he is a very inventive player and has a style worth knowing. I just hope any future videos will be more inclusive. mark brinsfield
Yes, this does what it says. I like the instruction and would suggest it for anyone wanting to pick up some great licks.