Without words, are the only ones, is not for anyone, 45 years have already heard everything and
say are the ones who deserve my best compliment.
Over the past couple of years the vintage guitar market has taken a hit here and there but overall has proven to be a sound investment for most. The experts say that when inflation accelerates and the dollar shrinks collectibles prove to be a good place for your money.
You might be asking yourself whether a guitar can really be a good investment. After all, to the untrained eye, most guitars are the same. However, the right guitar can be worth a lot to a collector. Guitars that have been owned by celebrities, or which are rare or unusual, can command very high prices indeed. If you’re worried about getting a return on your money, don’t be. Vintage guitars have consistently performed with more stability than the stock market. There are a number of reasons that collecting vintage guitars is an excellent strategy.
For one, they’re more tangible than a stock or bond. They give you an attractive piece to display, and are fun to collect, too. Guitars also don’t lose value over time. In fact, it’s just the opposite – vintage guitars consistently gain value as they get older, as long as you take the time to keep them in good condition. They’re also usually superior instruments. If you’re a musician as well as an investor, you’ll appreciate the superior action and tone of a real vintage instrument. The most popular vintage guitar with collectors is probably the Gibson Les Paul.
Here is a small example: Let’s say in 1959 you had $100.00 if you were to bury the $100.00 in a coffee can in your back yard or put it in your bank account and let it sit there drawing a couple percent interest inflation would slowly take this $100.00 and if you were to pull it out 50 years later you would find that $100.00 would barely get you a nice dinner for two. However if you would have taken that same $100.00 and gone to your local pawn shop in 1959 and picked up a 1959 Gibson Les Paul guitar and placed it in the closet instead then you could pull it out of your closet today and it could be worth well over six figures. People are starting to realize how much these instruments from the 50′s 60′s, and 70′s really mean to our culture. There is a very limited supply and there still seems to be a high demand for these pieces of history which has proved to be a good choice for those who have invested in these instruments, such as the Gibson Les Pauls’ and Fender Telecasters and Stratocaster’s from the same era. (50′s, 60, and 70′s).A good place to start collecting vintage guitars 1996 Fender Telecaster MIJ Deluxe 50th Anniversary as an investment would be to focus your research on obtaining guitars from the list below. This list includes that have been inducted into Vintage Guitar Magazine’s Hall of Fame. There are, of course, other lists and other guitars worth investing in, but this is certainly a great place to begin. Two great sites to begin your search for these exquisite instrument are Bob’s Vintage Guitars at http://www.bestguitaronline.com and the Best Guitar Shop at http://www.best-guitar-shop.In the coming weeks, I will be featuring each of the exquisite instruments in detail. This information will prove useful in your search for vintage guitars that will provide a good return on your investment. Fender StratocasterInducted in 1990The VG Hall of Fame was started in 1990 and we had little doubt the Strat would be among the first instruments selected for inclusion by our readers. Three single-coils, a vibrato (usually), and that great contoured, offset-double-cutaway body. Some 50 years after its introduction, it is still one of the most popular designs. Gibson Les Paul Standard (‘Burst) Inducted in 1990Also an easy first-year selection, LP Standard was introduced with a sunburst finish in 1958, and the ’58 to’60 models are the most valuable vintage solidbody guitars. The Les Paul Standard is a classic no matter what finish it bears.
Martin D-28 Inducted in 1991The first acoustic in the VG Hall, the D-28 launched Martin’s line of incredible big and loud dreadnoughts in 1931. The D-28 has inspired many guitarists and builders, and remains one of Martin’s most popular models. Fender TelecasterInducted in 1991Leo Fender’s timeless classic is about as simple as an electric guitar can be, but still has the magic to appeal to guitarists playing just about any style of music. Every guitar player has a Telecaster (or should). Along with the Strat and Les Paul, the Tele is among the most popular designs around.
Fender Precision BassInducted in 1992The first bass in the VG Hall, and why not, it only forever revolutionized how the bass was played. One of the most innovative ideas in modern music history. Gibson ES-335Inducted in 1992Born during Gibson’s “golden era,” the semi-hollow body ES-335 wedded archtop looks with solidbody performance. Whether it has dot inlays or blocks, it remains one of the coolest designs in guitardom.
D’Angelico New YorkerInducted in 1993George Gruhn said of it in the March 2000 issue of Vintage Guitar, “The New Yorker is significant due to its superb quality and aesthetic artistic appeal,” and is “one of the finest guitars in the history of the instrument.” Gibson Super 400Inducted in 1993Introduced in 1934, with its 18″ body and deluxe features, the Super 400 was the largest and most expensive guitar in the Gibson line. Its influence was soon apparent in the designs of many of the great archtops built by others. Whether the earlier non-cutaway acoustic version or the later double-pickup cutaway, it remains a true work of art.
Gibson L-5Inducted in 1994Introduced in 1922 and with a design guided by the legendary Lloyd Loar, the L-5 was the first modern archtop guitar. Initially a non-cutaway acoustic, the L-5 went through many changes, ultimately becoming a single-cutaway with two humbuckers.
Fender Jazz BassInducted in 1995With its two specially designed pickups, offset waist, and slimmer, narrower neck, the Jazz Bass was intended to be the more tonally diverse, slicker-playing descendant of the Precision. The fact it was available in Fender custom colors (often with matching headstock) makes it all the more cool.
Gibson Flying VInducted in 1996One of the most distinct guitar designs ever created, but it wasn’t a hit when it came out in 1958. Rock and rollers discovered it the late ’60s and the V still makes a unique statement today.Gretsch 6120Inducted in 1996If you play rockabilly, you better have one of these! Introduced as the Chet Atkins Hollowbody in ’54, the 6120 soon shed the “G” brand and western inlays of the early versions, but never lost the Western Orange finish or the cool twang.Rickenbacker 360/12Inducted in 1997It was good enough for George Harrison and gave us the “jingle jangle” of Roger McGuinn. That’s more than enough for the 360/12 to be the only 12-string in the Vintage Guitar Hall of Fame.
Martin D-45Inducted in 1998Originally the fanciest of Martin’s innovative dreadnought line. If you had one of the 96 made in the 1930s and early ’40s, your net worth would be considerably higher than it is now.
Gibson ES-150Inducted in 1999Gibson’s first electric Spanish guitar was also the first good-quality electric to hit the market. Favored by Charlie Christian, it housed Gibson’s first pickup, which is still in high demand and considered a classic.Fender JazzmasterInducted in 2002Designed and marketed by Leo to cut into Gibson’s jazz market, it supplanted the Strat at the top of Fender’s line in 1958. And though its sound kept it from catching on with jazzers,
You might be asking yourself whether a guitar can really be a good investment. After all, to the untrained eye, most guitars are the same. However, the right guitar can be worth a lot to a collector. Guitars that have been owned by celebrities, or which are rare or unusual, can command very high prices indeed. If you’re worried about getting a return on your money, don’t be. Vintage guitars have consistently performed with more stability than the stock market. There are a number of reasons that collecting vintage guitars is an excellent strategy.
For one, they’re more tangible than a stock or bond. They give you an attractive piece to display, and are fun to collect, too. Guitars also don’t lose value over time. In fact, it’s just the opposite – vintage guitars consistently gain value as they get older, as long as you take the time to keep them in good condition. They’re also usually superior instruments. If you’re a musician as well as an investor, you’ll appreciate the superior action and tone of a real vintage instrument. The most popular vintage guitar with collectors is probably the Gibson Les Paul.
Here is a small example: Let’s say in 1959 you had $100.00 if you were to bury the $100.00 in a coffee can in your back yard or put it in your bank account and let it sit there drawing a couple percent interest inflation would slowly take this $100.00 and if you were to pull it out 50 years later you would find that $100.00 would barely get you a nice dinner for two. However if you would have taken that same $100.00 and gone to your local pawn shop in 1959 and picked up a 1959 Gibson Les Paul guitar and placed it in the closet instead then you could pull it out of your closet today and it could be worth well over six figures. People are starting to realize how much these instruments from the 50′s 60′s, and 70′s really mean to our culture. There is a very limited supply and there still seems to be a high demand for these pieces of history which has proved to be a good choice for those who have invested in these instruments, such as the Gibson Les Pauls’ and Fender Telecasters and Stratocaster’s from the same era. (50′s, 60, and 70′s).A good place to start collecting vintage guitars 1996 Fender Telecaster MIJ Deluxe 50th Anniversary as an investment would be to focus your research on obtaining guitars from the list below. This list includes that have been inducted into Vintage Guitar Magazine’s Hall of Fame. There are, of course, other lists and other guitars worth investing in, but this is certainly a great place to begin. Two great sites to begin your search for these exquisite instrument are Bob’s Vintage Guitars at http://www.bestguitaronline.com and the Best Guitar Shop at http://www.best-guitar-shop.In the coming weeks, I will be featuring each of the exquisite instruments in detail. This information will prove useful in your search for vintage guitars that will provide a good return on your investment. Fender StratocasterInducted in 1990The VG Hall of Fame was started in 1990 and we had little doubt the Strat would be among the first instruments selected for inclusion by our readers. Three single-coils, a vibrato (usually), and that great contoured, offset-double-cutaway body. Some 50 years after its introduction, it is still one of the most popular designs. Gibson Les Paul Standard (‘Burst) Inducted in 1990Also an easy first-year selection, LP Standard was introduced with a sunburst finish in 1958, and the ’58 to’60 models are the most valuable vintage solidbody guitars. The Les Paul Standard is a classic no matter what finish it bears.
Martin D-28 Inducted in 1991The first acoustic in the VG Hall, the D-28 launched Martin’s line of incredible big and loud dreadnoughts in 1931. The D-28 has inspired many guitarists and builders, and remains one of Martin’s most popular models. Fender TelecasterInducted in 1991Leo Fender’s timeless classic is about as simple as an electric guitar can be, but still has the magic to appeal to guitarists playing just about any style of music. Every guitar player has a Telecaster (or should). Along with the Strat and Les Paul, the Tele is among the most popular designs around.
Fender Precision BassInducted in 1992The first bass in the VG Hall, and why not, it only forever revolutionized how the bass was played. One of the most innovative ideas in modern music history. Gibson ES-335Inducted in 1992Born during Gibson’s “golden era,” the semi-hollow body ES-335 wedded archtop looks with solidbody performance. Whether it has dot inlays or blocks, it remains one of the coolest designs in guitardom.
D’Angelico New YorkerInducted in 1993George Gruhn said of it in the March 2000 issue of Vintage Guitar, “The New Yorker is significant due to its superb quality and aesthetic artistic appeal,” and is “one of the finest guitars in the history of the instrument.” Gibson Super 400Inducted in 1993Introduced in 1934, with its 18″ body and deluxe features, the Super 400 was the largest and most expensive guitar in the Gibson line. Its influence was soon apparent in the designs of many of the great archtops built by others. Whether the earlier non-cutaway acoustic version or the later double-pickup cutaway, it remains a true work of art.
Gibson L-5Inducted in 1994Introduced in 1922 and with a design guided by the legendary Lloyd Loar, the L-5 was the first modern archtop guitar. Initially a non-cutaway acoustic, the L-5 went through many changes, ultimately becoming a single-cutaway with two humbuckers.
Fender Jazz BassInducted in 1995With its two specially designed pickups, offset waist, and slimmer, narrower neck, the Jazz Bass was intended to be the more tonally diverse, slicker-playing descendant of the Precision. The fact it was available in Fender custom colors (often with matching headstock) makes it all the more cool.
Gibson Flying VInducted in 1996One of the most distinct guitar designs ever created, but it wasn’t a hit when it came out in 1958. Rock and rollers discovered it the late ’60s and the V still makes a unique statement today.Gretsch 6120Inducted in 1996If you play rockabilly, you better have one of these! Introduced as the Chet Atkins Hollowbody in ’54, the 6120 soon shed the “G” brand and western inlays of the early versions, but never lost the Western Orange finish or the cool twang.Rickenbacker 360/12Inducted in 1997It was good enough for George Harrison and gave us the “jingle jangle” of Roger McGuinn. That’s more than enough for the 360/12 to be the only 12-string in the Vintage Guitar Hall of Fame.
Martin D-45Inducted in 1998Originally the fanciest of Martin’s innovative dreadnought line. If you had one of the 96 made in the 1930s and early ’40s, your net worth would be considerably higher than it is now.
Gibson ES-150Inducted in 1999Gibson’s first electric Spanish guitar was also the first good-quality electric to hit the market. Favored by Charlie Christian, it housed Gibson’s first pickup, which is still in high demand and considered a classic.Fender JazzmasterInducted in 2002Designed and marketed by Leo to cut into Gibson’s jazz market, it supplanted the Strat at the top of Fender’s line in 1958. And though its sound kept it from catching on with jazzers,
 |
 |
 |
 |
 |
 |
 |
|
|
 |
Watch the video related to 1996 Fender Telecaster MIJ Deluxe 50th Anniversary
9 Responses to “Do not buy 1996 Fender Telecaster MIJ Deluxe 50th Anniversary until you read this review”
The Leading Online Guide To Fender Classic Player ’50s Stratocaster Electric Guitar GoldMy two cents worth: This Fender Classic Player '50s Stratocaster Electric Guitar Gold was exactly what I was looking for. It... »
Unbiased Review for Russ Wernimont Designs Pro Street 9 in. Wide Werimont Rear Fender for Swing…Very clear explanationes of how to drum and tune. Very good exercises to make fills and clarifying demonstrations about how to... »
#1 Russ Wernimont Designs Racer 11 in. Wide Wernimont Rear Fender for Swingarm… SiteI'm bringing down the rating average because the music in this book has no proper music notation. There are a few little... »
Great Original 1967 Fender Telecaster MapleCap Tele ReportsIf you are looking for information about Original 1967 Fender Telecaster MapleCap Tele, you will find the below related... »
Do not buy Fender Mexican Stratocaster Electric Guitar 2001-2002 until you read what I have to sayWe should be very thankful that we are born in this modern generation because of the existence of the Internet. With the... »
The CD companion is a MUST and great for practice. You can tune your stereo to either play lead only, or the rhythm riff in the backgroud so YOU can play lead guitar. The CD also feature a slow version of some of the faster solos so that you can pick-out the details. Really a great book. I’ve very happy with it!
It’s an excellent guide for guitar players. Include some of the most popular Metallica songs between “Justices” to “Reload”. This book is very special because, if you buy a book, you buy a CD with all demos in fast and slow version.
Try it.
It’s Alive pound for pound is one of the best live albums ever. The best album The Ramones ever put out. For all of you that have been Punk Rock fans for years or new to this genre of music you should have this album. This catches The Ramones back in 1977 in London, England. What away to bring in 1978 but to see the band perform on 12-31-77.
This album basically has all of their classics done the way that they’re supposed to be done. The Ramones would do their songs much more slowly in the studio because the studio metronomes had a limited speed. I would have preferred if their live album was this exact show, but at CBGB, for symbolism, and for the album cover to be the classic cover of their self-titled album, but that’s probably the dumbest thing to wish for.
This album is a live concert from the Ramones when they had just released their third album, and they do most of the tracks from their early albums, but in a much more energetic form, and again, much faster. For the Ramones, it works to do their music faster, and a comment that someone made about them is that it’s not as easy as it seems to do only downstrokes at that speed, or to play a simple beat at that speed.
The tunes basically just use I-IV-V chord progressions, usually sneaking a forth chord somewhere, and they usually use power chords, and for all of you music theory freaks, a power chord is the root note with the fifth. They just use two note chords? Yes they do. Also, the line-up is basically a drummer (Tommy Ramone), a guitarist (Johnny Ramone), a bass player (Dee Dee Ramone), and a vocalist (Joey Ramone). The two note chords and the simple line-up really proves that less is more… at least in this way.
Because I’ve been giving guitar lessons, this is an album that I recommend for a guitarist to start out with when they’re just beginning. However, keep in mind that they play fast, so it’s not best to try playing at that speed.
No, wait a minute…bloody fantastic is what this is. I was not a big Ramones fan back in the day, probably only because my local radio stations did not expose me to their work, other than Beat on the Brat, and I Wanna Be Sedated. And silly me, I didn’t want to believe a band from NYC could be any good. Yes, I was stupid, I learned there are many great NY bands. What made me buy this DVD was seeing their 1985 performance on the Old Grey Whistle Test Volume One DVD (a series I highly recommend).
Captured here is a virtual biography of Ramones performances from the beginning (1974) through the end (1996), and honestly, I didn’t even know they were still performing after about 1985. Again, stupid me, but thankfully this catalog of performances is well preserved. While the films of earliest performances are a bit scratchy and fuzzy, so was the musicianship of the band. One can see and feel that something unique is developing, and as the band grows up, the musicianship and songwriting becomes better and more complex (and the film/video improves as well).
Most of this collection is very well preserved considering the age of the media it was captured on. For example, the footage from the 1982 San Bernardino US Festival is crystal clear, bright, colorful, and the audio thunderous. Conversely, on “The Cars Unlocked” DVD, footage from the same festival – of The Cars – is grainy, washed-out, and the sound tinny. Obviously great care was taken by The Ramones and those close to them to preserve these memories.
My old impression of the band was that it was a novelty act with a few clever hits. Watching this, I see the care that was taken in their uniform (jeans and leather jackets), the presentation – the simultaneous movements of Johnny and Dee Dee, the uncluttered stage, and respect for the audience – never facing away, 100 percent music and no idle banter.
A great companion piece to these performances is the biography “End of the Century” DVD. Learning about how the band members met, developed, and put up with each other over the many years is somehow compelling, and heightened my enjoyment of the performances on this DVD. Really, it’s a crime that the Ramones were pretty much ignored by US radio stations. Do yourself some justice and buy this.
Yes, it’s doctored. But hey, find me ANY “live” album that isn’t a bootleg that isn’t. Everyone has doctored their live albums, it’s exactly why bands like Metallica are total hypocritical money-scheming creeps. Still, this is one of the most entertaining, action-packed albums ever printed. Get yourself a copy and enjoy the best band ever.
This book covers artists and their albums in much the same way as Mr. Whitburn’s Top Pop books, only this goes all the way down to the top 200 each week. You should find whatever you’re looking for except for the inclusion of record values. There is information on that for each album, but books which cater specifically to collectability and value do a much better job, so ignore that small portion.
Joel Whitburn’s newest edition of Top Pop Albums details every album which entered Billboard’s Top 200 chart between January 1955 and September 1996. What Whitburn serves up, however, is no mere list of album titles and chart positions. Rather, this massive (1,056 page) tome contains data regarding the label and catalog number of each album, the date on which it entered the chart, and the number of weeks which it remained on the chart.
As an added bonus, Whitburn includes valuable biographical information on most, though regrettably not all, of the artists. In fact, Top Pop Albums provides biographical data on some rather obscure artists which is otherwise difficult to obtain. Unfortunately, the scope of the work is such that the bio data does not include band members whose tenure did not include making the Top 200. On the plus side (and a big plus it is), the work includes a listing of every track which appeared on every album which charted, with clear indication as to which album the track appeared.
Whitburn’s Record Research organization has for many years been the most reliable source of information regarding the Billboard charts for music fans and professionals alike, and Top Pop Albums 1955-1996 is certainly a worthy member of their family of publications. Whitburn and his fellow researchers continue to improve their works with each successive edition. Though rather expensive, Top Pop Albums 1955-1996 is the final word on artists who have reached Billboards Top 200 charts.
I saw this book at the library and wanted one. I was disappointed to see it is no longer in print!
What a wonderful book packed with loads of info! Even though it only goes to 1995, that is ok. Just no current Rap Music ( ) to view – which is fine with me! 
I go for the 60s/70s/80s stuff anyway.