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Electrical components
Underside of a 1981 Fender Lead I pickguard, showing the wiring.
The following section describes the most common components found inside an electric guitar.
Pickups
Pickups convert the mechanical energy of a vibrating string to an electrical signal, allowing it to be amplified, processed and reproduced. Pickups vary greatly in construction, size, types of materials used, as well as various electrical properties, but are generally divided into two categories – single-coil and double-coil (also known as humbucker).
Potentiometers
Potentiometers (often abbreviated as “pots”) can be used to control a variety of functions inside an electric guitar. Most often they function as tone and volume controls, but can also blend two pickups together, attenuate one coil of a humbucker, and so on.
Potentiometers are differentiated by their electrical characteristics, of which the following are most important in an electric guitar:
Value – the resistance between the two outer lugs. The most common values are 250 k (for single-coil pickups) and 300-500 k (for humbuckers), although values as high as 1 M have been used. 25 k pots are used with active electronics.
Taper – the ratio of wiper travel to the resistance between the wiper and the outer lugs. Logarithmic pots (also known as “log” or “audio” pots, and designated with the letter A) are used for volume controls, due to the human ear’s response to loudness being roughly logarithmic. Linear pots (designated with the letter B) are mostly used for tone controls. Reverse audio pots are sometimes used for volume controls on left-hand guitars, but this is not widespread Fender Standard Telecaster Left-Handed Electric Guitar. Lake Placid Blue Maple Fretboard due to the relative rarity of such pots.
Besides the common pots used for volume and tone controls, a number of specialised types exist:
Push-pull pots – these pots incorporate an on-on DPDT switch on the underside of the pot that’s actuated by pulling the shaft outwards and pushing it back in (hence the name). The switch is electrically independent from the pot and can be used for a number of functions.
Push-push pots – a variation of the above, these pots also incorporate a switch which is activated and deactivated by pushing on the middle of the knob. This is used by Fender in their S-1 Switching System, and unlike push-pull pots, requires a special knob.
No-load pots – also used by Fender, these pots have the clockwise lug disconnected from the resistive strip within, resulting in infinite resistance between the wiper and the other outer lug when turned fully clockwise. These are sometimes used as tone controls, to remove the load on the pickup(s) presented by the pot and the tone capacitor when turned to 10.
Dual-gang pots – these are simply two independent pots mounted to dual concentric shafts, allowing the control of two different parameters without taking up the space of two separate pots. These require matching concentric knobs.
Stereo/blend pots – the same as above, except the two pots are controlled by the same shaft. Used for blending two pickups together. They usually (but not always) feature a detent in the centre position.
Capacitors
Capacitors (often referred to as “caps”) have several uses in electric guitars, the most common of which is in the tone control, where it acts as a high-pass filter, shorting treble frequencies to ground and causing the entire tone control to act as a low-pass filter. The exact amount of signal shorted to ground is controlled by the tone potentiometer. Another common use is a small capacitor in parallel with the volume control, to prevent the loss of higher frequencies as the volume pot is turned down. This capacitor is commonly known as “treble bleed cap”, and is sometimes accompanied by a series or parallel resistor, to limit the amount of treble being retained and match it to the pot’s taper.
A different take on the standard tone control is the Varitone circuit sometimes used on Gibson guitars (such as the Blueshawk). The Varitone is actually a variable notch filter consisting of one of several capacitors (selected with a rotary switch) in series with an inductor, forming an LC circuit. When placed between the signal and ground, this circuit starts to attenuate frequencies around its resonant frequency, as determined by the following formula:
While this control is not very common in guitars, a number of aftermarket versions are available, both with and without an inductor (the latter being a simple low-pass filter with a movable cutoff frequency).
Capacitors used in electric guitars are differentiated by the following electrical characteristics:
Capacitance – the amount of electrical energy the capacitor can store. Capacitors used for the tone circuit are usually in the 10-50 nF range, while treble bleed caps are smaller, usually 1-2 nF.
Type – the dielectric used in the capacitor. Polyester and polypropylene are most common, with ceramic capacitors also being popular, especially in lower-end instruments. Reissues of
Underside of a 1981 Fender Lead I pickguard, showing the wiring.
The following section describes the most common components found inside an electric guitar.
Pickups
Pickups convert the mechanical energy of a vibrating string to an electrical signal, allowing it to be amplified, processed and reproduced. Pickups vary greatly in construction, size, types of materials used, as well as various electrical properties, but are generally divided into two categories – single-coil and double-coil (also known as humbucker).
Potentiometers
Potentiometers (often abbreviated as “pots”) can be used to control a variety of functions inside an electric guitar. Most often they function as tone and volume controls, but can also blend two pickups together, attenuate one coil of a humbucker, and so on.
Potentiometers are differentiated by their electrical characteristics, of which the following are most important in an electric guitar:
Value – the resistance between the two outer lugs. The most common values are 250 k (for single-coil pickups) and 300-500 k (for humbuckers), although values as high as 1 M have been used. 25 k pots are used with active electronics.
Taper – the ratio of wiper travel to the resistance between the wiper and the outer lugs. Logarithmic pots (also known as “log” or “audio” pots, and designated with the letter A) are used for volume controls, due to the human ear’s response to loudness being roughly logarithmic. Linear pots (designated with the letter B) are mostly used for tone controls. Reverse audio pots are sometimes used for volume controls on left-hand guitars, but this is not widespread Fender Standard Telecaster Left-Handed Electric Guitar. Lake Placid Blue Maple Fretboard due to the relative rarity of such pots.
Besides the common pots used for volume and tone controls, a number of specialised types exist:
Push-pull pots – these pots incorporate an on-on DPDT switch on the underside of the pot that’s actuated by pulling the shaft outwards and pushing it back in (hence the name). The switch is electrically independent from the pot and can be used for a number of functions.
Push-push pots – a variation of the above, these pots also incorporate a switch which is activated and deactivated by pushing on the middle of the knob. This is used by Fender in their S-1 Switching System, and unlike push-pull pots, requires a special knob.
No-load pots – also used by Fender, these pots have the clockwise lug disconnected from the resistive strip within, resulting in infinite resistance between the wiper and the other outer lug when turned fully clockwise. These are sometimes used as tone controls, to remove the load on the pickup(s) presented by the pot and the tone capacitor when turned to 10.
Dual-gang pots – these are simply two independent pots mounted to dual concentric shafts, allowing the control of two different parameters without taking up the space of two separate pots. These require matching concentric knobs.
Stereo/blend pots – the same as above, except the two pots are controlled by the same shaft. Used for blending two pickups together. They usually (but not always) feature a detent in the centre position.
Capacitors
Capacitors (often referred to as “caps”) have several uses in electric guitars, the most common of which is in the tone control, where it acts as a high-pass filter, shorting treble frequencies to ground and causing the entire tone control to act as a low-pass filter. The exact amount of signal shorted to ground is controlled by the tone potentiometer. Another common use is a small capacitor in parallel with the volume control, to prevent the loss of higher frequencies as the volume pot is turned down. This capacitor is commonly known as “treble bleed cap”, and is sometimes accompanied by a series or parallel resistor, to limit the amount of treble being retained and match it to the pot’s taper.
A different take on the standard tone control is the Varitone circuit sometimes used on Gibson guitars (such as the Blueshawk). The Varitone is actually a variable notch filter consisting of one of several capacitors (selected with a rotary switch) in series with an inductor, forming an LC circuit. When placed between the signal and ground, this circuit starts to attenuate frequencies around its resonant frequency, as determined by the following formula:
While this control is not very common in guitars, a number of aftermarket versions are available, both with and without an inductor (the latter being a simple low-pass filter with a movable cutoff frequency).
Capacitors used in electric guitars are differentiated by the following electrical characteristics:
Capacitance – the amount of electrical energy the capacitor can store. Capacitors used for the tone circuit are usually in the 10-50 nF range, while treble bleed caps are smaller, usually 1-2 nF.
Type – the dielectric used in the capacitor. Polyester and polypropylene are most common, with ceramic capacitors also being popular, especially in lower-end instruments. Reissues of
Thoughts on Fender Standard Telecaster?
Im looking into some new guitars, and the Standard Tele caught my eye. I played my dads Squier and really liked it, Fender Standard Telecaster Left-Handed Electric Guitar. Lake Placid Blue Maple Fretboard so a Fender must be great. If anyone owns this guitar, can you please give me some opinions on it? Tell me if its good for hard rock and clean tones, and what finish it looks good in. Im looking at maybe upgrading the pickups to Fender Mod Shops, but please tell me if the pickups are fine. Thank you all very much!
Im looking into some new guitars, and the Standard Tele caught my eye. I played my dads Squier and really liked it, Fender Standard Telecaster Left-Handed Electric Guitar. Lake Placid Blue Maple Fretboard so a Fender must be great. If anyone owns this guitar, can you please give me some opinions on it? Tell me if its good for hard rock and clean tones, and what finish it looks good in. Im looking at maybe upgrading the pickups to Fender Mod Shops, but please tell me if the pickups are fine. Thank you all very much!
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