I bought this book simply as a reference guide since I was building a copy of a 1952 Telecaster for my brother. I’m a guitarist and luthier and I build a variety of stringed instruments from guitars, to ukuleles, to dulcimers ([...]). I’d never built a solid body electric before. I wanted to make sure I was staying true to the ’52 external specs as much as possible, while looking into the later years of the guitar for upgrading the “innards” of the project. So in the beginning, my use of the
Biography
Carlton started learning to play guitar when he was six years old, studying under Slim Edwards near his Torrance, California home. Taking an interest in jazz while at high school, his playing style was most influenced by guitarists Joe Pass, Wes Montgomery, Barney Kessel, and B. B. King. Saxophonist John Coltrane has also made a notable impression on Carlton, and Carlton’s live albums have featured cuts from Miles Davis’s hallmark Kind of Blue. Career
During the 1970s and early 1980s, Carlton was a busy session musician in Los Angeles, making up to five hundred recordings a year, including albums by Steely Dan, Joni Mitchell, Billy Joel, Michael Jackson, Quincy Jones, The Four Tops, the Partridge Family, and Charly Garca’s Clics Modernos. His guitar work on Steely Dan’s “Kid Charlemagne” from their 1976 LP The Royal Scam has been listed as the third best guitar solo on record by Rolling Stone Magazine. From 1971 to 1976 he played with the jazz-rock group The Crusaders. In 1977 he signed with Warner Bros. Records for a solo career. Although still relatively unknown outside his fan-base, Carlton produced six albums from 1978 to 1984, during which his adaptation of Santo Farina’s “Sleepwalk” climbed the pop and adult contemporary charts and his 1983 LP Friends garnered a Grammy nomination.
His solo career took a twist in 1985 when he signed with MCA Master Series for an acoustic jazz album. The result was Alone/But Never Alone, which featured sparse but emotive arrangements, including a rendition of The Lord’s Prayer. From 1985 to 1990 Carlton did various solo projects, the 1986 live Last Nite being one of his best recordings FENDER TELECASTER GUITAR.FORD COLLECTION LIMITED ED and winning another Grammy for his cover of the McDonald/Abrams song “Minute by Minute” from the successful LP Discovery.
In 1988, while working on his electric guitar LP On Solid Ground, which was released in 1989, Carlton was the victim of a random act of violence, shot in the throat outside Room 335, his private studio in Southern California. The bullet shattered his vocal cord and caused significant nerve trauma. Carlton managed to recover quickly and completed On Solid Ground by the end of the year. He continued his work with the electric guitar in 1991 when he started to record a blues album, but decided to delay the project to meet demand for a more commercially-oriented jazz offering, which resulted in Kid Gloves. The rawer, southern-blues infused Renegade Gentleman was finally released in 1993, featuring Nashville harmonica legend Terry McMillan on several tracks.
From 1994 to 1997 Carlton participated in various tours (notably with Toto guitarist Steve Lukather) and released an album (Larry and Lee) with similar Los Angeles-based guitarist Lee Ritenour, which featured Remembering J. P., a tribute to the recently deceased Joe Pass. Shortly thereafter, in 1997, he took Ritenour’s place in the successful jazz quartet, Fourplay, even adopting a softer, Wes Montgomery-flavored style similar to Ritenour’s work.
In 2000, Carlton furthered his solo career with the polished Fingerprints, which at its strongest points demonstrated his continued growth as a composer and also downplayed his blues-roots in favor of jazz-chordal playing and octaves. His career received another considerable boost the following year when his live performance with Toto lead guitarist Steve Lukather, No Substitutions: Live At Osaka, garnered his third Grammy.
Carlton’s most recent work includes the guest-appearance laden Deep Into It, the aggressive jazz-blues cut Sapphire Blue, and Firewire.
At the beginning of 2007 Carlton released two CDs. A live recording together with blues guitarist Robben Ford, Live in Tokyo, and The Jazz King album. The Jazz King record is the result of a composition Carlton wrote for H. M. King Bhumibol Adulyadej of Thailand. The Jazz King project was initiated to celebrate the 60th anniversary of King Bhumibol’s accession to the throne as well as his 80th birthday in 2007. Carlton was commissioned to write this composition by the Royal Project Foundation and Rotary Club of Bangkok. These compositions were released on CD only in Thailand, the net proceeds of the CD will be used to support the indigenous hill-tribe children of Thailand. Carlton’s compositions for this Jazz King project resulted in a concert. This special performance featured, besides Carlton, other notable jazz musicians. The concert was held on January 28, 2007 at BEC-Tero Hall, Suan Lum Night Bazaar, Bangkok.
In July, August and September of 2009, Carlton joined Steely Dan as guest guitarist for six selected dates in New York, Los Angeles and Chicago for the band’s “Rent Party ’09″ tour. Gear
Gibson produces a signature Larry Carlton model based on Carlton’s own 1968 Gibson ES-335, hence his nickname: Mr. 335. His other guitars include an iconic 1951 blackguard Fender Telecaster. He’s also played the Gibson Les Paul. Today, Carlton plays Dumble Amplifiers. During the 1970s he often used an MXR
Carlton started learning to play guitar when he was six years old, studying under Slim Edwards near his Torrance, California home. Taking an interest in jazz while at high school, his playing style was most influenced by guitarists Joe Pass, Wes Montgomery, Barney Kessel, and B. B. King. Saxophonist John Coltrane has also made a notable impression on Carlton, and Carlton’s live albums have featured cuts from Miles Davis’s hallmark Kind of Blue. Career
During the 1970s and early 1980s, Carlton was a busy session musician in Los Angeles, making up to five hundred recordings a year, including albums by Steely Dan, Joni Mitchell, Billy Joel, Michael Jackson, Quincy Jones, The Four Tops, the Partridge Family, and Charly Garca’s Clics Modernos. His guitar work on Steely Dan’s “Kid Charlemagne” from their 1976 LP The Royal Scam has been listed as the third best guitar solo on record by Rolling Stone Magazine. From 1971 to 1976 he played with the jazz-rock group The Crusaders. In 1977 he signed with Warner Bros. Records for a solo career. Although still relatively unknown outside his fan-base, Carlton produced six albums from 1978 to 1984, during which his adaptation of Santo Farina’s “Sleepwalk” climbed the pop and adult contemporary charts and his 1983 LP Friends garnered a Grammy nomination.
His solo career took a twist in 1985 when he signed with MCA Master Series for an acoustic jazz album. The result was Alone/But Never Alone, which featured sparse but emotive arrangements, including a rendition of The Lord’s Prayer. From 1985 to 1990 Carlton did various solo projects, the 1986 live Last Nite being one of his best recordings FENDER TELECASTER GUITAR.FORD COLLECTION LIMITED ED and winning another Grammy for his cover of the McDonald/Abrams song “Minute by Minute” from the successful LP Discovery.
In 1988, while working on his electric guitar LP On Solid Ground, which was released in 1989, Carlton was the victim of a random act of violence, shot in the throat outside Room 335, his private studio in Southern California. The bullet shattered his vocal cord and caused significant nerve trauma. Carlton managed to recover quickly and completed On Solid Ground by the end of the year. He continued his work with the electric guitar in 1991 when he started to record a blues album, but decided to delay the project to meet demand for a more commercially-oriented jazz offering, which resulted in Kid Gloves. The rawer, southern-blues infused Renegade Gentleman was finally released in 1993, featuring Nashville harmonica legend Terry McMillan on several tracks.
From 1994 to 1997 Carlton participated in various tours (notably with Toto guitarist Steve Lukather) and released an album (Larry and Lee) with similar Los Angeles-based guitarist Lee Ritenour, which featured Remembering J. P., a tribute to the recently deceased Joe Pass. Shortly thereafter, in 1997, he took Ritenour’s place in the successful jazz quartet, Fourplay, even adopting a softer, Wes Montgomery-flavored style similar to Ritenour’s work.
In 2000, Carlton furthered his solo career with the polished Fingerprints, which at its strongest points demonstrated his continued growth as a composer and also downplayed his blues-roots in favor of jazz-chordal playing and octaves. His career received another considerable boost the following year when his live performance with Toto lead guitarist Steve Lukather, No Substitutions: Live At Osaka, garnered his third Grammy.
Carlton’s most recent work includes the guest-appearance laden Deep Into It, the aggressive jazz-blues cut Sapphire Blue, and Firewire.
At the beginning of 2007 Carlton released two CDs. A live recording together with blues guitarist Robben Ford, Live in Tokyo, and The Jazz King album. The Jazz King record is the result of a composition Carlton wrote for H. M. King Bhumibol Adulyadej of Thailand. The Jazz King project was initiated to celebrate the 60th anniversary of King Bhumibol’s accession to the throne as well as his 80th birthday in 2007. Carlton was commissioned to write this composition by the Royal Project Foundation and Rotary Club of Bangkok. These compositions were released on CD only in Thailand, the net proceeds of the CD will be used to support the indigenous hill-tribe children of Thailand. Carlton’s compositions for this Jazz King project resulted in a concert. This special performance featured, besides Carlton, other notable jazz musicians. The concert was held on January 28, 2007 at BEC-Tero Hall, Suan Lum Night Bazaar, Bangkok.
In July, August and September of 2009, Carlton joined Steely Dan as guest guitarist for six selected dates in New York, Los Angeles and Chicago for the band’s “Rent Party ’09″ tour. Gear
Gibson produces a signature Larry Carlton model based on Carlton’s own 1968 Gibson ES-335, hence his nickname: Mr. 335. His other guitars include an iconic 1951 blackguard Fender Telecaster. He’s also played the Gibson Les Paul. Today, Carlton plays Dumble Amplifiers. During the 1970s he often used an MXR
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What color does a Fender Telecaster look best in?
I’m thinking about getting a Squier Tele Standard but I don’t know what FENDER TELECASTER GUITAR.FORD COLLECTION LIMITED ED color would look best on it. I already have a black LP so i’m trying to shy away from the black but I like a it black. Don’t tell me not to get it in black just because of that thought. If black looks best that might be what I get.
I’m thinking about getting a Squier Tele Standard but I don’t know what FENDER TELECASTER GUITAR.FORD COLLECTION LIMITED ED color would look best on it. I already have a black LP so i’m trying to shy away from the black but I like a it black. Don’t tell me not to get it in black just because of that thought. If black looks best that might be what I get.
5 Responses to “FENDER TELECASTER GUITAR.FORD COLLECTION LIMITED ED Free Significant Information”
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Great Original 1967 Fender Telecaster MapleCap Tele ReportsIf you are looking for information about Original 1967 Fender Telecaster MapleCap Tele, you will find the below related... »
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Great book! If you love telecasters, fenders, or electric guitars you should get this book!
I’d have to say if you want a basic overview of the Fender Telecaster you should find what you’re looking for here.
First the disclaimer: I do not own a Telecaster nor do I even play guitar. I happen to think that a Telecaster is one of the most beautiful man made objects there is, so I got this book. I also bought SIX DECADES OF THE FENDER TELECASTER. This book was published in 1991. The SIX DECADES.. is much more recent. I enjoyed reading this one, too. However, if you can only get one, get the SIX DECADES. I do not regret having both of them. They have different pics. This book has the forwards by James Burton and Alvin Lee.
a well written book about the fender telecaster, the first comercial solid body electric guitar.
lots of pictures, technical especs, and great information in general, also buy the other one about the stratocaster.
THIS IS THE WRONG FFFFING PICTURE!!!! CAN”T YOU GUYS GET YOUR ADS RIGHT? ITS BEEN LIKE THIS FOR MONTHS!!!