Posts Tagged ‘Vintage Guitar’

Excellent product! Not yet installed, but the vendor sent within specification and arrived in Brazil on schedule.
These pickups were what was missing in my 1969 Stratocaster.
Ever thought that a guitar might be a more reliable investment than the stock market? Vintage guitars are becoming a hot item in the collectibles market, and there are few icons more recognizable to Americans than a rock star and his guitar. While a few months’ savings might have bought a guitar in the 1960s, some of those instruments are selling for big bucks today. Recently, George Harrison’s guitar sold for a little under six hundred thousand dollars, for instance. Eric Clapton’s favorite Stratocaster from the 1970s, Blackie, sold for nearly a million.
While celebrity collectibles have been a good investment for years, guitars themselves have largely been overlooked. However, the guitar was perfected between the 1930s and the 1960s, depending on the model, and instruments from this period are highly regarded. Some people think that in fifty to a hundred years, guitars from the mid 20th century will be thought of in the same way as violins and cellos from the 17th and 18th century.
The appeal of any guitar grows over time, and there hasn’t yet been a period when the market sank. That makes a vintage guitar a great investment choice, as well 1969 vintage Fender Telecaster guitar Cust.Color C.A.R as a visually and emotionally rewarding collectible. There’s nothing like being able to say that you own the guitar once played by a legend.
Values only continue to go up, too. While a 1959 Fender Sunburst Stratocaster, one of the most famous types of guitar, originally cost about $250, it brought between eight and nine thousand dollars in 1997. Today, you might have to pay seventeen thousand for a model with a slab fingerboard.
Recent stock market unpredictability has meant that people are more interested in guitar collecting. These vintage instruments are a great type of protected investment. For collectors who want to cover all the bases, consider a varied collection – acoustic, electric, exotic, antique, vintage, contemporary and even custom guitars.
What Defines A Vintage Guitar
To be a vintage guitar, an instrument needs to be more than just old. It should be from a period that was influential. Many good vintage guitars are made using techniques or materials that were discontinued, or made before a big change in the company.
For instance, Leo Fender, inventor of what we think of as an electric guitar, sold his company in 1965, a move which some think of as the death knell of Fender Musical Instruments. Fender Telecasters and Stratocasters made before this time are in enormous demand. Asking prices have risen into the five figure range.
It’s not just Fender, either. C.F. Martin and Co. were the makers of the D-28, one of the most popular acoustic instruments ever. Since 1969, Brazilian rosewood hasn’t been available as the standard wood. Guitars produced by Martin after this period are considered inferior by many collectors.
Top Vintage Brands
The American brands that stand out when it comes to collecting vintage guitars as an investment (and also as a great guitar) are Guild, Martin, Gibson, Gretsch, and Fender. Each of these manufacturers also has an era that collectors agree upon as having been the best. Of course, make isn’t the only way you decide how much a guitar is worth. The rarity and condition of the guitar are important, as is who’s owned the guitar and where it’s been.
If you want a great investment that’s also a piece of the past, look into vintage guitars. Collecting them can be rewarding in many ways, and it’s a lot more stable than playing the stock market! A good place to begin your search would be Bob’s Vintage Guitars where you will find a large selection of vintage guitars and amplifiers. There is also a great deal of information about collecting vintage guitars.


Having owned them all at one time or other, in my 47 years of guitar playing, the American Stratocaster is THE best guitar on the planet for the money. It is lighter than a Gibson Les Paul which is easier on the shoulder after those long sets. It’s classic design / looks are timeless. Out of the box it has it’s own distinct Fender sound as well. I have an ART 2000 which I ‘filter’ this guitar through and my sounds are limitless. I notice that another reviewer says to ‘save money and get the MIM
Fender electric guitars were the first solid body electric guitars to be offered on the mass market. Other companies actually fabricated and sold electric guitars before the Fender Company, but none were as commercially successful as Fender’s. In fact, the general consensus is that it is the Fender Company that is responsible for the electric guitar frenzy that swept through the world of popular music with the introduction of their Fender Telecaster. The Broadcaster was actually the first solid body electric guitar, but Fender made it economically feasible to mass produce it with only a few slight variations in the next model, the Telecaster. Fender’s Telecaster served as the inspiration for other manufacturers to make their own versions of the solid body electric guitar.
Other famous models include the Stratocaster, the Jazzmaster, the Mustang, the Jaguar, and the Duo-sonic. Fender(R) 010-6200-800 American Vintage ?62 Telecaster(R) Custom Guitar Countless more models exist though they are less known.
Fender electric guitars are manufactured Mexico and Asia as well as in the United States. The highest quality guitars are those made in the US. The Squier brand, also manufactured under the Fender name, is the most economically priced electric guitars and they are produced in the Asian countries.
The Fender Company began as an electronic repair business. Founder Leo Fender began much of his work improving already existing and designing new musical amplifiers. Fender is still known today for its fine quality and innovation in amps.
Some of Fender’s electric guitar signature features include the larger headstock shape and bound necks with block shaped position markers. The neck joint on most electric guitars is a four-bolt joint, but in Fender guitars, it is now a three-bolt joint intended for better sound. Fender electric guitars are also identified by a second string tree for the middle G and D strings. Another signature feature is the semi-hollow body design and completely different headstock of the Fender Stratocaster. This model also incorporates a Humbucking pickup designed by Seth Lover. Some people maintain that the Fender Standard Stratocaster electric guitar is the guitar that changed the world with its alder body, 21 fret maple neck with a rosewood or maple fretboard, 3 single-coil pickups, a vintage tremolo, and die-cast tuning keys.
The Stratocaster comes in a wide choice of cool colors as well, including Sage Green Metalic, Blue Agave, Brown Sunburst, Midnight Wine, and Arctic White. Such colors add a unique quality to an already awesome guitar.
The Fender electric guitar is an excellent choice for the serious guitarist who wants a famous brand at an affordable price.


I have just finished my review of Fender Vintage Modified Telecaster HS Electric Guitar. All I can say is that I would be lost without Fender Vintage Modified Telecaster HS Electric Guitar.
All songs written and composed by Mike Oldfield, except “The Sailor’s Hornpipe” (traditional, arranged by Mike Oldfield) Side one
“Tubular Bells, Part 1″ 25:36 Side two
“Tubular Bells, Part 2″ 23:20 Personnel Mike Oldfield
Acoustic guitar, bass guitar, electric guitar, Farfisa, Hammond, and Lowrey organs; flageolet, fuzz guitars, glockenspiel, “honky tonk” piano (piano with detuned strings), mandolin, piano, “Piltdown Man”, percussion, Spanish guitar, “double speed guitar”, producer, “taped motor drive amplifier organ chord”, timpani, violin, vocals and tubular bells. Additional personnel
Steve Broughton percussion
Lindsay L. Cooper string basses
Mundy Ellis vocals
Jon Field flutes
Sally Oldfield vocals
Vivian Stanshall Master of Ceremonies
Nasal Choir
Manor Choir (Simon Heyworth, Tom Newman, Mike Oldfield)
Simon Heyworth – producer
Tom Newman – producer
Trevor Key – artwork Album artwork
Tubular Bells picture disc.
The cover design was by Trevor Key, who would go on to create the covers of many Oldfield albums, and was inspired by Magritte’s “Castle in the Pyrenees”.[citation needed]
The concept for the triangular bell on the album cover art originally came from the idea of a bell which had been destroyed. Oldfield had come up with this when he had dented the set of Tubular bells used to record the album when playing them.
The “bent bell” image on the cover is also associated with Oldfield, even being used for the logo of his personal music company, Oldfield Music, Ltd. The image was also the main focus for the cover art of the successive Tubular Bells albums. Tubular Bells has also been issued as a vinyl picture Fender Vintage Modified Telecaster HS Electric Guitar disc, showing the bent bell on a skyscape.
The album cover for Tubular Bells was among the ten chosen by the Royal Mail for a set of “Classic Album Cover” postage stamps issued on 7 January 2010. Significance Virgin
Oldfield approached (and was rejected by) many other established record labels. Some of the rejections were because they believed the piece to be unmarketable. Oldfield then played his demos to some of the Engineers at The Manor; they along with their boss, Richard Branson decided to give Oldfield a chance. Virgin Records released Oldfield’s debut album Tubular Bells as its first album; hence the catalogue number V2001 (although V2002 and V2003 were released on the same date).
The significance of this album to the Virgin empire is not lost on Richard Branson, who named one of his first Virgin America aircraft, an Airbus A319-112, N527VA Tubular Belle,. Prior to this Virgin Atlantic had named a Boeing 747-4Q8 , G-VHOT Tubular Belle, in 1994.
Virgin reissued the album a number of times including in 2000 for a HDCD release, and in 2001 for a SACD release. The HDCD release contained liner notes by David Laing, and the SACD release notes were by Phil Newell and Simon Heyworth.
The 50th Anniversary edition of the music magazine Music Week features the album in the official Top-Selling UK albums 19592009 at No. 35, noting it as the only entry that did not yield a hit single. In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #9 in its list of “40 Cosmic Rock Albums”. The Mail on Sunday free edition
On 22 April 2007 a British newspaper, The Mail on Sunday, gave away 2.25 million free copies of the full original Tubular Bells to its readers; this came in a card packet displaying the original artwork.
EMI (owners of the Virgin Records label) earned between 200,000 and 500,000 from the promotion. The Mail on Sunday claimed that their promotion increased sales of the album by 30%; however industry sources noted that this was not a significant rise for the title at the time. This cover-mount deal came prior to the album’s transfer from Virgin/EMI back to Oldfield.
Oldfield attacked EMI in the press for agreeing this deal with The Mail on Sunday, not having been consulted about it. He also stated that he felt that it devalued the work. In a poll conducted by Music Week, to whom Oldfield wrote a letter about the situation, 89.9% of people supported Oldfield’s view that EMI and The Mail on Sunday should have at least asked him about the cover-mount promotion. Mercury reissue
In 2008 when Oldfield’s original 35 year deal with Virgin Records ended, the rights to the piece were returned to him, and were transferred to Mercury Records On 15 April 2009, Mercury announced the transfer of Oldfield’s Virgin albums to the label, and the first album, Tubular Bells, was re-released in June 2009. Tubular Bells was released on various formats, which include an original vinyl, a new remix, a 2CD edition and DVD. There were also bell ringing events on 6 June 2009 at 6pm (a reference to 666, the Number of the Beast). Overdubbing
Mike Oldfield played most of the instruments on the album (see below), recording them one at a time and layering the recordings to create the finished work. Many of his subsequent albums feature this technique.






















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